Monday, March 16, 2020

Asian Horror in Movie A Tale of Two Sisters

Asian Horror in Movie A Tale of Two Sisters The genre of horror has been one of the popular genres that have started developing in the movie business. This has been harnessed by the free access of television and cinemas across the world. Various causes can be attributed to this sudden change of events; however, no one can explain why most of the individuals in the society tend to appreciate it despite being unrealistic and fictitious (Corrigan 6).Advertising We will write a custom essay sample on Asian Horror in Movie A Tale of Two Sisters specifically for you for only $16.05 $11/page Learn More Though most of its contents are fiction, it is a mistake to assume that horror movies are primitive and plain. Naturally, horror movies are known to exemplify traditional and uncouth characteristics, and the directors of the films are perceived to non-conversant with the changes in the society. In my opinion, I would argue that all the sectors of the art cinema have majority of mediocre crews and minority bein g good crews, and horror genre is no exception. Among the very few intriguing and genius horror movies, the focus will be on The Eye (Gin gwai; dir. Pang Brothers, 2002, Hong Kong), Tell Me something (dir. Chang Yoon-Hyun, 1999, South Korea), and A Tale of Two Sisters (Janghwa, Hongryeon; dir. Kim Ji-woon, 2003, South Korea). The three films denote a classic horror genre, and the directors have undertaken a massive work when it comes to editing, cinematography, and sound design of the films. A Tale of Two Sisters is a true ploy of horror movie, which is denoted by the use of framing. Ideally, inventive framing has been used to enhance attentiveness of the audience, drawing goose bumps, and eliciting stifled gasps. The movie commences with a short scene describing psychiatric ward. The doctor is preparing to interview his patient, who in turn happens to be an ugly and scary young woman, and her faced has been covered by long hair. The doctor wants to know what happened to her, but th e scene fades and directs the audience to a view inside a car that is travelling to the countryside. Kim’s disorienting positions and broad-view, reveals pans that aims at generating fright in the movie. It parades out the Korean horror themes that are familiar to the viewers. This includes haunted children, children’s bonds that are strong enough to challenge death, oppression on women, neurotic stepmothers, excessive femininity, and ineffectual fathers (Corrigan 56). The two teenage sisters, Mun Geun-Yeoung and Im Su-Jeong arrive at their opulent situated in the countryside home after they had visited a psychiatric hospital. Su-Jeong undertakes a commanding performance while her sister is meek and on the receiving end. The whole scene portrays Yeom, their stepmother, as anxious and restless. She tries her best to make the two girls comfortable, although they had been involved in frequent confrontations.Advertising Looking for essay on art and design? Let's se e if we can help you! Get your first paper with 15% OFF Learn More Im believes that their stepmother had a dark past that she is hiding from them, and does not trust her house either. The truth, which encompasses the family’s relationship, is tangled and cannot be resolved quite easily. Kim’s remedy is a muddled montage that aims at re-dressing the final scene; however, it does not solve the issue but complicates them further. The act may be disappointing given the unusual over-the-head and behind-the-head shots that are accompanied by the fresh blocking in necessitating a horror scene. The shots generate a deafening moments that frightens the audience and moves toward realizing a rational conclusion. The movie is successful as it does not demand explanations on some amazing acts; thus, allowing the directors to gently incorporate fear and guilt on the characters and viewers. In positing these characteristics, A Tale of Two Sisters is successfully in en hancing the character’s anxiety throughout the movie. This ensures that the horror acts denotes reality, and is able to haunt the viewer, several days after watching the movie (Corrigan 18). Despite the movie’s impact and creation of horror themes by Kim, there are minor criticisms that have been subjected to the movie. The movie is slow, and the audience may find it difficult to follow the film. It takes a long time for it to reach climax and build the steam on the audience. Although, slow films cannot be disputed if the subject matter is realized at a given period, horror movies need not have to involve many issues before instigating the theme of horror in the scene. In addition, the information provided is not enough for the audience or viewer to understand the exact acts that happened- it is full of suspense. Though guessing and speculation is part of the stylistic devices that movie writers employ, some of the aspects would have been simplified in an attempt to re duce or minimize the puzzle. As the film is a success in harnessing the horror atmosphere, some of the scenes do not necessitate narrative when they are reviewed. They are solely there to generate tension among the viewers. For instance, the scene where Su-yeon is seen hanging her feet in water while something is prowling below her feet, the scene where Su-mi comes across bloody thing in the refrigerator, and where the duvet of Su-yeon is pulled off (Maxted 124). These few examples tend to exemplify a direct fiction on the viewer, as most of these acts are not real- they are exaggerated.Advertising We will write a custom essay sample on Asian Horror in Movie A Tale of Two Sisters specifically for you for only $16.05 $11/page Learn More The Eye, on the other hand, owes some of its success to its canny tapping in both local (Hong Kong) and Hollywood horror texts, but it succeeds by partaking of an ascendant contemporary pan-Asian discourse of horror. The Eyeà ¢â‚¬â„¢s most immediately identifiable shared generic element is, of course, the protagonist’s ability to see ghosts, which she has in common not only with the young protagonist of The Sixth Sense, but with many other horror protagonists. Sydney Wells (Helen) was blind since her childhood life. She receives corneal transplant that restores her vision, which she had lost during her childhood period when Helen, her sister, shot her on the face using a firecracker. After undergoing surgery, Sydney is able to see blurred images. However, it may be perceived to be normal phenomenon when one undergoes a cornea transplant after a long period without an eye. However, the shadowy figures, in which Sydney sees, are ominous and quite different from the images of real people. In one occasion, she saw two shadowy figures, whereby the first one was leading an elderly woman away at night; the elderly woman was sleeping next to her bed in the hospital. The following morning, when she wakes u p, she found out that the woman has died. After the death of the woman, Sydney continues seeing the woman though the images are blurred, and she cannot figure out what she is doing. Cinematography plays vital role in this scene. The camera lens is smeared with Vaseline to make the images blurred, and this is done for the half-an-hour footage shot that is undertaken. A significant twist here is that she is not at first aware it is ghosts she is seeing; this is narrative made possible in that she has not been able to see since the age of two years (Choi and Wada-Marciano 23). The theme of unresolved issues from the past is also naturally common to many films with ghostly themes. The Eye primarily features spirits who just happen to be in transit and those needing to tie up emotional loose ends that just happen to have died in Helen’s vicinity. However, on one level, it does evince some of the sense of personal guilt of indebtedness or connection between the haunter and the haun ted present in ghost films of the more vengeful variety. Still another broader thematic repercussion of the narrative device of having the dead visible amongst the living is a heavy emphasis on the existence and close interrelationship of the past and the present. This idea resonates at numerous levels in The Eye, not least in settings themselves.Advertising Looking for essay on art and design? Let's see if we can help you! Get your first paper with 15% OFF Learn More The initial setting of Hong Kong is imaged much as it is in reality as at once a city of modern high-rises and highways and of disused public spaces, where a ghost would feel perfectly like home. Hong Kong’s architectural variegation is even alluded to in dialogue at one point, when a waiter at an older and indeed haunted roast meat restaurant explains the situation in Hong Kong. The emphasis on multilinguality points to another distinctive and central theme in The Eye, which links motives of transnationalism and haunting, to that of confusion over identity. Helen’s interest in her own identity can be seen from the moment her new vision begins to come into focus. Her first request is to be taken to the bathroom so that she can gaze herself in a mirror. This curiosity and interest turns to mystification and alarm; however, she realizes that some of her visions may be someone else’s. Though the horror scenes are cheaply incorporated into the movie, it makes the au dience jump more than once. In addition, the slicker look and the bigger budget boost some of the scenes despite being mere copies of the scenes of Hong Kong movie. In particular, one of the scenes involving a restaurant belonging to a Chinese is modified to a nice effect, therefore, displaying originality of the movie. Palud and Moreau are keen to ensure that the movie does not become one of the scenes of Ghost Whisperer. Tell Me Something is one of the South Korean thrilling and horror genres. In 1999, the movie was dubbed hard-gore thriller due to its magnificent horror traits that is imminent in the whole episodes of the movie. The success is attributed to the slick trailer, big budget on marketing campaign, and the drawing supremacy of the two leaders. As such, with the movie’s rich cinematography, Tell Me Something was in high demand during the late 20th century. The movie commences with mouth-gaping scene. A number of garbage bags begin to appear, in Seoul, totally fi lled with human body parts of the victims of murder. The case falls in the arms of Detective Jo, one of the disgraced soldiers who have subjected to brutal acts by their senior counterparts. Jo collaborates with Oh, and they quickly analyze the cases presented to them with an aim of getting a clue of the incident. The two cops learn that the bodies were of three friends who worked at Chae Su-yeon museum. The film uses neon-drenched settings in an attempt to enhance the effect. Director Chang understands the need to create a requisite atmosphere, as he inculcates Tell Me Something with tension and creepiness associated with horror movie. The sound effect demonstrates the demonic and war-like atmosphere and the audience feels that they are in that ‘dark’ atmosphere characterized by evil spirits and war (Choi and Wada-Marciano 48). The scenario is also boosted by Shim and Han’s underplayed performances, and the low-key script that gradually unveils as the movie cont inues. The script is well choreographed especially on the visualizations of sporadic killings, where Chang includes severed limbs, dissections, large amounts of blood, and decapitated heads. Indeed, for the viewers with faint heart, the movie should be viewed on an empty stomach. For its two-hour running time, the movie engages the audience through suspense, and drawing them closer on the mystery surrounding the episodes. However, the last scene Tell Me Something falls apart. The scheme that embodies the killer is overwhelming and is overly elaborated leaving the audience with confusion. Though the movie ends in a climax, orchestrated by great soundtrack and well-focused shots, the scene does not make any sense. It is hard to link the events that led to the final episode. More upsetting is the postscript of film, which introduces logic-defying scene that twists courtesy of the mysteries of murder. Although some of the scenes prompt for viewing of subsequent episodes, others require motivations from the characters in order to make the movie cohesive. Ideally, numerous discussion groups in the internet, have been instigated in an attempt to discuss and unravel the mystery behind the movie’s convolute d narrative. In my opinion, the confusion might have been brought about by the negligence of the crew and directors, omissions of some of the scenes that would have made the movie cohesive. The most obvious logical gaps that exist in the film are on the way Detective Oh can link unrelated scene that denotes crime to the murders that took place. Indeed, if the ending had been characterized by lack of confusion, Tell Me Something would have gained wholehearted recommendation from the viewers. However, when the audience pardons the directors missteps and non-inclusion of some scenes, then there are more positive attributes to the film than the negative ones. The film posits all the stylistic devices embodied by an artwork including suspense, entertainment, and v isual thriller. In conclusion, the three films are the real works of the horror genre. The films should not only be recognized on the face value of its antique but intention of the developers of the films. Although, the essay has focused only on three films; most of the horror films have implied meaning in the contemporary society, and should not be taken lightly. The themes and devices used such as sound design, cinematography and editing have been observed by the directors of the film in an attempt to fit into the market. Therefore, the films are a classic of a horror genre. Choi, Jinhee and Wada-Marciano Mitsuyo, eds., Horror to the Extreme: Changing Boundaries in Asian Cinema. Hong Kong: Hong Kong University Press, 2009. Corrigan, Timothy. A Short Guide to Writing about Film. New York: Longman, 2009. Maxted, Anna. A Tale of Two Sisters. New York: Dutton, 2006

Saturday, February 29, 2020

Block Diagram Of A Communication System Computer Science Essay

Block Diagram Of A Communication System Computer Science Essay The doorway to the nowadays wireless communication systems was opened by Guglielmo Marconi when he transmitted the three-dot Morse code for alphabet ‘ S ‘ by the use of electromagnetic waves over a 3-KM link in 1895. This laid the foundation of modern communication systems ranging from broadcasting, satellite transmission and radio eventually progressing to nowadays cell phones. It wouldn’t be wrong to say that wireless communication has indeed revolutionized our present society A sudden increase has been observed in the expansion of radio systems during the last two decades. We have seen great evolution in Wireless communication systems from 1G narrowband analog systems in the 1980s to the 2G narrowband digital systems in the 1990s. Now the existing 3G wideband multimedia systems are being deployed. In the meantime, research and progress in the future-generation wideband multimedia radio systems is vigorously being pursued worldwide. To connect mobile users to th e public switched network the United States introduced first radiotelephone service by the end of the 1940s. Improved Mobile Telephone Service was launched by Bell Systems in 1960s due to which lots of improvements like direct dialing and increase in bandwidth took place. IMTS formed the bases of the first analog cellular systems. The term cellular was used due to the fact that coverage areas were split cells, they had a low power transmitter and receiver. BLOCK DIAGRAM OF A COMMUNICATION SYSTEM Figure 1. Block diagram of a general communication system. ANALOG vs. DIGITAL COMMUNICATION SYSTEMS Definition of Digital A method of storing, processing and transmitting information through the use of distinct electronic or optical pulses that represent the binary digits 0 and 1. Advantages of Digital low-priced reliable Easy to manipulate Flexible Compatible with other digital systems The information in digital form can only be transmitted without any degradation through a noisy channel In corporated networks Disadvantages of Digital Sampling Error As compared to analogue, larger bandwidth is required in digital communications for the transmission of the same information. Synchronization in the communications system is required to recognize the digital signals, but this is not the case with analogue systems. Definition of Analogue Analogue is a transmission standard that uses electrical impulses to emulate the audio waveform of sound. When you use a phone, the variations in your voice are transformed by a microphone into similar variations in an electrical signal and carried down the line to the exchange. Advantages of Analogue less bandwidth is required More Accurate Disadvantages of Analogue Signal loss and distortion can be seen due to the effects of random noise which is impossible to recover GENERATIONS OF CELLULAR SYSTEMS The concept of cellular telephony was introduced in AMPS, short for Advanced Mobile Phone Systems. AMPS divided the total area into small regi ons called cells and this was from where the concept of cellular telephony started. Cellular Systems had many advantages such as they increased quality, capacity, reliability and availability of mobile telephone network. The generations of cellular systems are described below. FIRST GENERATION CELLULAR SYSTEMS First generation cellular telephone systems were introduced in 1980’s. They were based on Analog Frequency Modulation technique. Each channel was assigned a sole frequency.

Thursday, February 13, 2020

Hall of frame for president of us Essay Example | Topics and Well Written Essays - 750 words

Hall of frame for president of us - Essay Example He is recognized for his efforts in making the country the world’s superpower during the war. He also had a vision of protecting the county’s citizens from the effects of the great depression. His legislation that guided the country through the great depression makes him a good leader (Stadelmann, 2009). Theodore Roosevelt was a great president who used his influence to the citizens to accept his ideologies. His influential ability helped him to get legislation passed in the congress (Stadelmann, 2009). He was the first president to use his influence to drive his foreign policies with other countries, and this ensured good international relations with them. William Jefferson Clinton is another great US president who is admired for his ability to handle crisis and scandals. He managed scandals effectively without letting them interfere with his leadership. I also like President Ronald Reagan due to his great communication skills; he would influence the public through his speeches and inspire the public through his messages (Bolno, n.d). President John Fitzgerald Kennedy is one of the best influential leaders that I have always admired. He is presumed to have had some leadership attributes from his father who had served as an ambassador in 1937 to 1940. He is renowned for his leadership styles, which the subsequent presidents of the United States have tried to emulate over the years. John Kennedy is best favorable president due to his leadership attributes were exhibited throughout his life. His first attribute as a great leader is charisma. This is due to his ability to inspire people through his practical choice of words. His messages motivated people to accept his leadership policies. He chose very wise words to manage crisis by demonstrating an ability to handle delicate situations amicably. The second attribute that I like about him was his visionary leadership. Kennedy was seen as a visionary leader who shared his vision and goals of the count ry with all citizens through his speeches (Colvin, 2008). This attribute creates an understanding that the future of a country depends on the leaders’ vision. As a visionary leader, he was able to show the direction which he wanted to lead the country. Hence, through this, he received great credibility and support from many people. The third admirable leadership attribute of President Kennedy was that he was able to delegate (Hald, 2007). A leader needs to delegate some powers to his subordinates who should share the same ideologies so that he can ensure that objectives are met in time. In addition, Kennedy’s administration was made up of learned scholars who were competent to take up roles. Hence, Kennedy easily delegated his authority to some of his cabinet while still exercising his control powers. This was seen by his appointment of Dean Rusk as his secretary of state (Hald, 2007). The fourth attribute of Kennedy that I like is that of inspirational leadership, a l eader should inspire his followers towards excellence (Colvin, 2008). Moreover, President Kennedy inspired other people to excel in the duties that they were assigned to, and offered support towards achieving such goals. Therefore, this encouraged teamwork and unity because people felt as part of his government. Lastly, I admire the courage that President Kennedy portrayed especially in dealing with serious issues. Since he had previously served as in the navy, Kennedy was seen to be courageous when dealing

Saturday, February 1, 2020

Spirituality Essay Example | Topics and Well Written Essays - 250 words

Spirituality - Essay Example Regardless of this investment and pertinence, the impacts of anxiety and burnout on patient results, understanding security, and quality consideration are not decently characterized by confirmation. Actually, the connection in the middle of stress and burnout to patient results has been investigated in just four examinations. There is an awesome requirement for thorough studies that will analyze these motion in a manner that will yield more strong proof on which to base practice. From the emotionally healthy church stock, I think I can now resolve conflict in a reasonable, coordinate, and conscious way, not what I may have realized experiencing childhood in my family, for example, difficult putdowns, evasion, raising pressures, or heading off to an outsider instead of to the individual straightforwardly (Matt. 18:15 – 18).1 2 3 4 8. I am purposeful at working through the effect of noteworthy "tremor" occasions that molded my present, for example, the demise of a relative, a sudden pregnancy, separate, compulsion, or major money related calamity (Gen. 50:20; Ps. 51). I am ready to express gratitude toward God for all my past backgrounds, perceiving how he has utilized them to extraordinarily shape me into who I am (Gen. 50:20; Rom. 8:28 – 30). I can perceive how certain "generational sins" have been gone down to me through my family history, including character blemishes, lies, privileged insights, methods for adapting to agony, and unfortunate propensities in identifying with others (Ex. 20:5). I neednt bother with support from others to like myself (Prov. 29:25; Gal. 1:10). I assume liability and possession for my past life. From the spiritual assessment of the joint commission, patients need profound quality and trust from their relatives, medical caretakers and specialists. They are their prompt colleagues in spite of God being their supreme being. Most patients are always

Friday, January 24, 2020

Intelligence and Character Essay -- Careers Teaching Education Essays

Intelligence and Character â€Å"What do you want to be when you grow up?† Everyone has been asked this question at some point in their life. In fact, I am still being asked this question during this time in my life. Although the questions are in a more mature format, such as, â€Å"What are you majoring in?† and â€Å"What are you going to do with your life?† I have always answered this question with the same response. I want to be a teacher. Throughout my entire life I have respected and looked up to all of my teachers, as well as admired my parents, who are both educators. However, during my lifetime of playing â€Å"teacher† I have never actually thought about my personal educational philosophy. Yet, I can look back now on my schooling experiences to see what has been important to me and to identify the major concepts and beliefs I posses in order to form my own teaching philosophy. Martin Luther King Jr. once said, â€Å"Intelligence plus character—that is the goal of true education.† I believe this single statement reflects my entire philosophy of education. I do not believe that any student can gain intelligence and a true character without being introduced to a variety of teaching philosophies and styles. Education, at any level, needs to encompass the needs and learning styles of all students; therefore, I intend on incorporating certain elements into my classroom from three main educational philosophies: Essentialism, Existentialism, and Progressivism. First and foremost, I will definitely use parts of Essentialism in my teachings. Because my goal is to become a secondary English and Language Arts teacher, I know it will be necessary to use this philosophy in order to teach classic... ...r in secondary English education and English, I plan on obtaining my Masters degree so that I can be the best teacher possible for myself and my students. I want to have the main role in my classroom at times, but I also want my students to feel as if they have an important voice as well. Combining parts of each of these methods will successfully make my classroom both a teacher and student oriented classroom. The students will of course learn their English skills and increase their intelligence, but they will also have a feeling of independence and respect, which will lead to the development of or addition to a personal character. Throughout this philosophy statement I have stressed the importance of accomplishing intelligence and character training in the classroom, and according to Martin Luther King Jr., my students will gain a true education in my classroom.

Wednesday, January 15, 2020

Henry James’ “The Turn of the Screw” Essay

At first glance, it would appear that Henry James’ â€Å"The Turn of the Screw† and Tim Burton’s â€Å"Edward Scissorhands† have only one thing in common: they are both from the gothic genre. But upon looking closer, one will notice that there are a number of other similar traits between the two. There are noticeable similarities between Edward and the Governess, as well as similarities between Edward and the two children in The Turn of the Screw, Miles and Flora. There are also general themes which the two share – images of a â€Å"perfect† society, as well as onlookers who have no control over the situation. Both â€Å"The Turn of the Screw† and â€Å"Edward Scissorhands† have many traditional features of the gothic genre. However, when compared to each other, it is found that â€Å"The Turn of the Screw† has more of the ‘traditional’ gothic elements. These include things such as the mysterious setting; an atmosphere of mystery and suspense that is present throughout the entire novel; visions, which are a regular occurrence for the Governess; supernatural events – such as the ‘ghosts’ and the ‘possessions’ of the children; high emotion; women threatened by males, which is found on the many occasions in which the Governess feels threatened by Quint; and there are many instances in which the women of the novel are in distress. In spite of this, a number of these elements can also be found in Edward Scissorhands, if not to a lesser extent. These include elements such as the setting – while the entire movie does not take place in a ‘gothic setting’, there are times where the viewer is able to see Edward’s original home – a mysterious, gloomy castle; an atmosphere of mystery and suspense, which is an underlying theme throughout the movie; visions – to some extent – experienced by the Boggs’ neighbour; and supernatural events – largely, the overall creation of Edward. Other elements that are similar between the two are women in distress – in Edward Scissorhands, this is largely Kim; and women threatened by males – shown in scenes with Kim and her threatening boyfriend, Jim. There are not only similarities between the overall genre of The Turn of the Screw and Edward Scissorhands, but between the characters as well. There are striking similarities between the Governess, the narrator of the book, and Edward, the main character of the movie. One of the most prominent is that  neither of these lead characters have much experience in the ‘real world’, as is evident through their actions and words. However, the Governess and Edward deal with this in different ways. Edward is generally dazed and confused about everything. Nevertheless, Edward is willing to learn, and is open to being taught. In contrast, the Governess reacts to her lack of experience by acting as though she is knowledgeable. She is unwilling to try other methods, and refuses to listen to others who might know better. Both characters were also taught the difference between ‘right’ and ‘wrong’. Edward is taught this by the inventor, while the Governess is taught this through both her upbringing, and by her father. Both Edward and the Governess are taught this in theory, but have never experienced it in practice – that is, they have never been able to apply the idea of right and wrong to the real world. Additionally, there are a number of similarities between Edward, and the two children, Miles and Flora. Both have overbearing female or ‘mother’ figures in their lives. In Edward’s case, this is his ‘foster’ mother, Peg, who tends to be more caring towards him, and looks out for him. In the children’s case, this is the Governess. However, unlike Peg, the Governess coddles the children, spending all her time with them and not letting them out of her sight. Both of them are also blamed for something which they didn’t do, or which never happened. Edward is framed for the robbery and murder, which had the potential to get him in trouble with the law. This was a deliberate blame and set up. On the other hand, Miles and Flora were accused of seeing ghosts, and lying about it. However, in contrast to Edward’s situation, we never know whether this actually happened – but either way, it wasn’t a deliberate setup. There are even more similarities between Edward and the two children. Both of these characters are abandoned by their ‘father figure’. In Edward’s case, this is in the death of his inventor. Because of this, Edward has to learn to cope for himself, and as a result, is confused about how to act correctly. This differs to Miles and Flora – though their parents die, and their uncle effectively abandons him, they still have people who are willing to look after them, such as Mrs Grose and the Governess. They are also both  idealised by the people around them. The community idealises Edward – he is treated as a phase, the latest craze. They have preconceived notions of him, but don’t take the time to get to know him and see if they’re actually true. In the children’s case, this is where the Governess idealises Miles and Flora. She imagines them to be so perfect and innocent, but she doesn’t take the time to get to know them. Because of this, when they act differently to the behaviour she expects of them, she thinks something is wrong. Edward and Miles are both seen to have ‘dangerous’ characters, and because of this they eventually become shunned or kicked out – though the extent to which this happen differs. Miles is seen as a ‘danger’ to the other children, and is kicked out of his school, but he is not rejected or shunned overall, just from one place. In contrast, Edward is eventually shunned by society as a whole because they don’t understand him. As a result of this, he is rejected by society, and becomes an outcast. The narrative structure of the two texts is also quite similar. Both of them are told by a female, and in the first person. This viewpoint makes the story seem more personal, as it gives the reader or the viewer a better insight into what really took place. Both stories also start off in the present tense, with someone talking about the events which had previously taken place, before going into an account of the story. However, in The Turn of the Screw, we never go back to the original setting, whereas in Edward Scissorhands we are taken back to the original storyteller to finish the story. In both instances, it also gives the feel of the storyteller holding onto the secret, and waiting for the right time and place to finally tell their story to a willing audience. There are a number of general things which are common in both the texts. One of these is that both The Turn of the Screw and Edward Scissorhands have onlookers that have no control over the story, and don’t fully understand what is going on. In Edward Scissorhands, the onlooker is Kim – Peg’s daughter – who is a silent observer, and unsure as to what is happening. In The Turn of the Screw, this onlooker is Mrs Grose. Mrs Grose has no control over the actions of any of the other characters, and is forced to sit back and watch as the events take place around her, not fully knowing what is  going on. Another theme common in both texts, as well as being common in the gothic genre, is the idea of a woman being threatened by a powerful, impulsive, controlling male. In The Turn of the Screw, this is Quint, who, though dead, makes the Governess feel threatened. In Edward Scissorhands, the male is Jim – Kim’s boyfriend. She feels threatened by his actions, and especially at his reaction to Edward. But the most obvious similarity between the two texts is that both have a â€Å"perfect society†, which slowly falls away, leaving the reader with an image of a very tainted place. In Edward Scissorhands, the community that he lives in is regarded as perfect, with everyone being accepting of him. However, as the story progresses, the perfect image falls away and we are left with a community that is biased and judgemental. In The Turn of the Screw, it first appears as though everything is perfect – particularly the beauty of Bly, and the children’s characters, but we soon learn that it isn’t. Overall, while there are some aspects of the texts which are entirely different, there are too many similarities for one to say that they are not alike in some way. These similarities are shown in a number of areas – in the genre, the narrative structure, the character’s actions and thoughts, as well as the overall themes and ideas which are introduced. However, whether The Turn of the Screw and Edward Scissorhands are similar or entirely different, they are both classic examples of the gothic genre of fiction.

Tuesday, January 7, 2020

Understanding Schizophrenia And Biopsychological Case...

Analyzing Psychological Disorders: Understanding Schizophrenia and Biopsychological Case Studies of Anxiety and Drug Abuse Susan DeVoe University of Phoenix Analyzing Psychological Disorders: Understanding Schizophrenia and Biopsychological Case Studies of Anxiety and Drug Abuse Let us discuss and dive into the study of a disease called schizophrenia. We will be taking a look at its symptoms, its causes, the areas of the brain it affects, its neural basis, and the appropriate drug therapies for the disease. Having an informed understanding of the disease and what it entails is crucial to making sure patients that suffer from schizophrenia receive the proper treatment and care from their psychiatrists. Afterwards, we will also be looking at a couple of case studies involving anxiety and drug abuse. As for now, our focus will be on the terrible disease of schizophrenia. PART A: We shall begin with a bit of its history, as well as what schizophrenia actually consists of. The word schizophrenia is less than one hundred years old, and means â€Å"the splitting of psychic functions.† It affects only about one percent of the world’s population, however those it does affect are comprised of all races and cultures, and socio-economic factors have no effect on who developments schizophrenia. It typically has an onset of late adolescence to early adulthood. BOOK CHAPTER 18, P.467 If a person reaches the age of thirty without being diagnosed with schizophrenia, that person hasShow MoreRelatedSchool Violence2554 Words   |  10 PagesAbstract The socio-cultural and psychological dynamics of school going kids have been changing at a rapid rate in the recent decades in many countries. In most cases children, especially adolescents and young adults are showing increased tendencies of violence and aggression. Researches have shown that these aggressive tendencies which originate from different various different factors have excessively contributed to bullies and violence at schools. These problems are much more common in countries